Victor Quijada

Photo Credit: Isabel Rancier

Choreographer, Director, Dramaturge

Quijada’s creations are distinguished by a powerful theatricality, the energy of improvisation, and certain codes of film language, the whole sculpted with an incomparable precision of movement.

Victor Quijada

RUBBERBAND choreographer of Ever So Slightly

Catch Quijada’s work in action on November 24th, 8:00 PM, Neptune’s Scotiabank Stage. General Seating – $35.00 Adults; $30.00 Seniors; $15.00 Students / Arts Worker / Under Waged

Since 2002, Victor Quijada and RUBBERBAND have not only redefined break dance codes within an institutional context and enlivened the Quebec dance scene, but have opened the way for new creators fascinated by this dance form. Armed with a technique he conceived for dancers, the RUBBERBAND Method – an electrifying vocabulary combining the energy of hip-hop, the refinement of classical ballet, and the angular quality of contemporary dance – and some 40 creations and collaborations in Canada and abroad behind him, Victor Quijada has continued to evolve and innovate throughout his prolific career. 

Born and raised in Los Angeles by Mexican parents, Victor first danced in the b-boying circles and hip-hop clubs of his native city.  He performed with Rudy Perez from 1994 to 1996, then moved to New York City to join THARP! Three years later, and following a stint with Ballets Tech, he came to Montreal in 2000 to join Les Grands Ballets Canadians. In 2002, he founded RUBBERBAND, throwing himself into deconstructing the choreographic principles he had learned by blending them with the raw ideology of his street dance origins. His creations are distinguished by a powerful theatricality, the energy of improvisation, and certain codes of film language, the whole sculpted with an incomparable precision of movement. 

For several years now, Victor has taught the RUBBERBAND Method throughout the world in workshops  and internships for many dance companies, dance schools, and universities, as well as on a yearly basis  in RUBBERBAND’s workshop for professional dancers; at the Académie du Domaine Forget in Charlevoix, and in his classes at the Glorya Kaufman School of Dance at the University of Southern California (USC).  As a guest choreographer, he has created new works for dance and circus companies; notably in return commissions for Hubbard Street Dance Chicago, Pacific Northwest Ballet, and Scottish Dance Theatre. 

Besides his stage productions, Victor has been involved in almost a dozen dance films, as director,  choreographer, or dramaturge. His short film, Hasta La Próxima, was a finalist at the American  Choreography Awards in 2004. He also choreographed the music videos Man I Used to Be by k-os, La  Garde by Alexandre Désilets, and Elton John’s Blue Wonderful. His Gravity of Center – The Movie won  Best Experimental Short at the CFC Worldwide Short Film Festival of 2012, among other awards, and was shown at several exhibitions and national and international festivals. 

In the area of peer recognition, Victor Quijada was artist-in-residence at Usine C (2004 and 2006) and at  Place des Arts (2007-2011), and has won many awards, including Britain’s National Dance Award for  Outstanding Modern Repertory (2003), the Bonnie Bird North American Award (2003, U.K.), the Peter  Darrell Choreography Award (2003, U.K.), the International Touring Award of the Canadian Dance Alliance  (2012), and two awards from the Princess Grace Foundation-USA (Choreography Fellowship, 2010; Work  in Progress Residency, 2016). In December 2017, Victor Quijada received the award for cultural diversity at the Prix de la danse de Montréal and was, in 2019, one of the finalists for the 34th Grand Prix du Conseil des arts de Montréal as well as among the four finalists for the 2019 Charles-Biddle Prize, instigated by Culture pour tous and the Ministère de l’Immigration, de la Francisation and Inclusion (MIFI). 

Ever So Slightly

Victor Quijada continues with his extraordinary dance works, this time with 10 irrepressible dancers, a DJ, a musician and a wide-open venue. The vast performance space, the distorted bodies, and the live music result in a production on steroids. Sound-wise, Jasper Gahunia, one of Quijada’s longtime partners, is pushing RUBBERBAND’s musical signature by creating a bold and original soundscape to be performed live. 

Simultaneously delivering delicacy, brutality, finesse, and high-voltage action, Quijada conveys all the energy contained in urgency, revolt, chaos, and flight.